Resurrection Sunday dawn service in Chubikopi, Solomon Islands

Easter 2019, Chubikopi Village, Marovo Island, Solomon Islands

Photos by Lima Tura

The Rev’d Lima Tura writes: “The resurrection of Christ being dramatized by the women! Blessed Resurrection Sunday to all! These women are from the neighbouring village where I serve in Seghe Theological Seminary. One student and I came to this place for our Easter outreach program. We arrived here since Maunday Thursday and will be leaving back to where I am on Easter Monday.. This is the Sunday dawn service Easter morning.”

Easter-Chubikopi-Solomon slands.jpg

Easter Dawn service with the women at Chubikopi Village, Marovo Island, Solomon Islands - All photos by the Rev. Lima Tura

Shaking the Foundations

Shaker dance, from a woodcut on the cover of Don E. Saliers,  Worship as Theology: Foretaste of Glory Divine  (Nashville, Tenn.: Abingdon, 1994).

Shaker dance, from a woodcut on the cover of Don E. Saliers, Worship as Theology: Foretaste of Glory Divine (Nashville, Tenn.: Abingdon, 1994).

We should praise in and with everything we enjoy. Every faculty of the body should be dedicated to his praise. Our tongues were made to bless the Lord; our voices were given to sing his praise; and the Psalmist call on everything that hath breath to praise the Lord.

—Thomas Brown, a Shaker, cited in J. G. Davies, Liturgical Dance: An Historical, Theological and Practical Handbook (London: SCM Press, 1984), p. 67.

Christians believe that God is a dynamic being; one who is on the move; one who, if the Jerusalem Bible rendering of Zephaniah 3.17 be accepted, is himself a dancer and who, according to a Jewish exposition of the Song of Songs… will lead the dance of the righteous in the age to come—one who, if we may move outside the confines of Judaism and Christianity and accept that something of God may be learned from other religions, one who like Shiva in Hinduism dances creation itself. Dancing must be regarded as an entirely proper way of responding to and acknowledging the divine presence. To refuse to dance would be to identify him with immutable stability. To dance, although not in an insipid way, can be to do homage to the one who shakes the foundations.

—Davies, Liturgical Dance, p. 133.

Below: Covers of the two books mentioned in this post…

Trekking with Hine Ma Tov

A short cross-cultural Faith trek in music

A Singaporean visitor enjoying the Hebrew Music Museum in Jerusalem, Dr. Calvin Chong of the Singapore Bible College— whips out an Irish Pennywhistle and in the Museum’s marvelous acoustic space, plays Hine Ma Tov - a well known Hebrew song meaning “How good it is” … three cultures in one!
(raise volume on video below)

Hineh ma tov uma na'im
Shevet achim gam yachad.

How good and pleasant it is
For brothers & sisters to sit together.

From the Hebrew Songs website (source : Psalm 133)

And to continue with “How Good It Is” (and leaping across the many versions found in Hymnals) — here is a contemporary, Evangelical Christian / Country & Western / Gospel styled How Good It Is, sung by Keith & Kristyn Getty Live at the Gospel Coalition - (with Irish Pennywhistle, of course).

… with thanks to The Hebrew Music Museum, Dr. Calvin Chong, and Singaporean drummer Jeremy Yeo