Enjoy the Silence



Last night, at Olafur Arnalds’ concert at the Melbourne Recital Centre, the Icelandic musician introduced the song Nyepi from his latest record Re:member. The song is named after a Hindu tradition he encountered whilst in Bali, Indonesia. (The same tradition is known as Ugadi in India.) Nyepi is a Day of Silence, when usually busy roads and beaches are empty, houses are quiet—and the internet is switched off—lights are kept low, and people are encouraged to spend their time in reflection and fasting in preparation for the new year.

Here is the song, performed in Berlin…

Lag fyrir Ömmu

Interestingly, the concert was full of silences, most notably at the very end, when the song Arnalds played as an encore, Lag fyrir Ömmu, from his Living Room Songs, subsided into a long time when nothing happened. The song, he explained, was written for his grandmother, just after her death. At the end of his performance of the song last night, the however-many-hundreds of people in the concert hall sat totally still, absolutely silent, for three/four/five/more? minutes. It was unusual, strange, rich…

Unlike in this video, filmed when he played the song at London’s Royal Albert Hall, in Melbourne the audience fell into silence…

The great silence / The sermon of stillness

Many liturgies invite experience of silence. For example, here’s the note from the Church of England’s Morning and Evening Prayer:

But in the age of personal computers, and the possibility of orders—or sequences for screen— being put together locally, notes like this, and rubrics that enact them, are easily lost. And even where present in books where books are still used, they are widely ignored. To great loss.

Here are two lovely examples. First, from the (Anglican) Church of Ireland’s Book of Common Prayer of 2004. After communion, “the great silence”:

Then, from the Uniting Church in Australia’s Uniting in Worship 2 of 2005, Service of the Lord’s Day 3, with its “Sermon of Stillness”. After the reading of scripture:

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(Note the suggested length of time—”at least five minutes”—and encouragement of posture “conducive to meditation.” And note above the sermon of stillness itself, a “bluebric” (right-hand side historical or source note to accompany the red choreographical rubrics) commending the kissing of the Bible—a practice approved by Zwingli, a Protestant Reformer often cited for his bare ceremonial sense!)

We need artists to remind of the beauty of these practices which religions prize.

A review of Arnalds’ concert at the Sydney Opera House last week:

Wangaratta Jazz Mass

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Wangaratta Jazz Mass / Sunday, November 4, 2018

 Each year, an annual jazz festival brings visitors to the regional Victorian city of Wangaratta, and I was there on November 4, 2018. The programme of events across town suggested that the “performance” on Sunday morning from 10.00-11.30am at Holy Trinity Anglican Cathedral—one of the six main venues for the festival’s events—was by “Tina Harrod/Clayton Doley” (p. 61) though elsewhere the same brochure carried an advert for “Wonderful worship with great Music—Jazz Mass 2018” (p. 35), there mentioning neither Doley nor Harrod, though “terrific artists from the festival” as well as “combined bands of Anglican schools.”

Arriving just before 10am, the large building was jam-packed, with perhaps 700 or more people crammed into every available seat…. CONTINUE READING the full article In our “Rituals and Communities” section. READ MORE ⇨ 

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The festival brochure asked that photographs not be taken in the cathedral, hence images included with this post are screenshots of the brochure itself. The brochure is downloadable    here   .

The festival brochure asked that photographs not be taken in the cathedral, hence images included with this post are screenshots of the brochure itself. The brochure is downloadable here.